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All My Sons

Present by Korda Artistic Productions

Multiple Dates

Starts

Sep 11th, 2026 @ 8:00 PM EDT

Starts

Friday Sep 11th, 2026 @ 8:00 PM EDT

Ends

Sep 26th, 2026 @ 10:30 PM EDT

Ends

Saturday Sep 26th, 2026 @ 10:30 PM EDT

2520 Seminole Street

2520 Seminole St, Windsor

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$21.69 - $26.89 CAD

Price

$21.69 - $26.89 CAD

Price

$21.69 - $26.89 CAD

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Description

All My Sons September 11, 12, 13, 17, 18, 19, 24, 25 & 26, 2026

Written by Arthur Miller

Directed by Chris Lanspeary

In 1947, Arthur Miller exploded onto Broadway with his first major work, ALL MY SONS, winning both the New York Drama Critics’ Circle Award for Best New Play and the Tony Award® for Best Author. The play introduced themes that would preoccupy Miller throughout his career: the relationships between fathers and sons and the conflict between business and personal ethics. Joe Keller and Steve Deever, partners in a machine shop during World War II, turned out defective airplane parts, causing the deaths of many men. Deever was sent to prison while Keller escaped punishment and went back to business, making himself very wealthy in the ensuing years. A love affair between Keller’s son, Chris, and Ann Deever, Steve’s daughter; the bitterness of George Deever, who returns from the war to find his father in prison and his father’s partner free; and the reaction of Chris Keller to his father’s guilt escalate toward a climax of electrifying intensity.

ALL MY SONS was the third title selected as part of Korda’s second public call for production proposals and will be directed by long-time Korda performer Chris Lanspeary.

“[Arthur Miller] has written an honest, forceful drama… a pitiless analysis of character that gathers momentum all evening and concludes with both logic and dramatic impact.” – The New York Times

“… you’ll also think about the current debate surrounding how we deal with past sinners of all stripes, and the moral rectitude of holding them accountable for their crimes.” – Daily News

“Capitalism, lies, betrayal, crime, corruption, and cover-ups – just another day on Capitol Hill? Or the issues bubbling beneath the surface of Arthur Miller’s surprisingly vital [nearly 80-year-old] drama…” – New York Stage Review

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