Dwight Icenhower was raised in Pomeroy, Ohio and began his Elvis career by singing karaoke at a local fair when he was just 16 years old. Now, he is one of the very few Elvis Tribute Artists that have made a full-time career out of keeping the legend alive. Dwight performs shows weekly and he keeps the audiences asking for more.

Born four years after the King passed away, Dwight has studied every move that Elvis made and has mastered the 50's, 60's, and 70's eras of Elvis' career.

He has performed all over the United States as well as in England, Brazil, The Netherlands, Norway, Spain and Mexico and has toured Japan several times.

He's had the opportunity to share the stage with some personal friends of Elvis including: DJ Fontana, The Jordanaires, The Sweet Inspirations, Cynthia Pepper, Julie Parrish, Charlie Hodge, Dook Bardwell, Eddie Miles and Joe Esposito.

He continues to awe audiences of all ages and his fans enjoy him both on and off stage. He wishes to continue using his amazing talent to keep the memory of Elvis alive for many more generations to come.

Dwight says that he considers it a dream come true to have such a wonderful job and having the opportunity to meet such wonderful people.

 

 

 

COVID-19 POLICY:

Effective November 11, 2021, Stuart’s Opera House will require proof of full vaccination OR a negative COVID-19 test taken 72 hours or less prior to attending any public event at Stuart’s Opera House. This requirement is for all audience, staff, special event staff, and performers. In addition, all guests will be required to stay masked within all Stuart’s Opera House spaces. If you do not have a mask, one will be provided for you.

Everyone entering Stuart’s Opera House must show their legal identification along with a valid vaccination card or a legible image of their valid vaccination card.

Attendees who refuse to abide by this policy are welcome to transfer their tickets to guests who are fully vaccinated or willing to provide a negative COVID-19 test result.

We appreciate everyone’s willingness and cooperation as these new policies are necessary and essential to keep live performance happening and to keep our staff, artists, audience, and family members safe.